She She Pop



German / 

Auf einer Bühne stehen drei kostümierte Schaupieler:innen von She She Pop.
Im Hintergrund wird eine Nahaufnahme eines Gesichts projiziert. Im Vordergrund ist unscharf eine Person zu erkennen.
Eine Projektion erhellt eine nackte Frau mit Sonnenbrille.
Im Vordergrund sind zwei Personen. Im Hintergrund wird das Bühnengeschehen in anderer Perspektive projiziert.
Auf einer Bühne sitzen mehrere Performer:innen im Hintergrund. Im Vordergrund kniet eine Frau.
Im Vordergrund ist unscharf ein Mann zu erkennen. Im Hintergrund steht eine nackte Frau im Rampenlicht, sie hat eine blonde Perücke in der Hand.
Im Mittelpunkt des Bildes sitzt eine Frau. Die Frau hebt ihren rechten Arm und ist mit zahlreichen bunten Kleidungsstücken bekleidet.

In 1962 the film “Whatever Happened to Baby Jane” was released into the cinemas. The psycho-horror thriller about two ageing female movie stars was a surprising hit and kicked off a whole new film genre known as the ‘psycho biddy’ or ‘hagsploitation’ movie. The film diva steps in front of the mirror in a studied pose, sees her aged face - a distorted version of how she sees herself – and lets out into a blood-curdling scream. This has become an iconic image.

This year, the members of She She Pop will all be about 50. And so, they explore society’s fear of the ‘hag’ - the old woman and witch – in their new production Hexploitation. Naturally, they will be using their ageing bodies for this purpose: to fight against the invisibility and loss of status that women suffer in society when they are no longer of childbearing age. To this day, the term ‘witch’ is used to belittle or reduce women. The witch - an anarchic, heretical woman - stands for sexuality beyond reproduction and subversive behaviour towards power structures and authorities.

In “Hexploitation”, She She Pop lock themselves and the audience in a mise en scène reminiscent of a low-lit, kitschy film set from which there is no escape. A live camera serves as a magnifying glass and intimate examining tool. With its help, the She She Pop team, in the guise of ageing psycho biddies, explore their own disturbing imperfections and obsessions, go in search of taboos and examine traditional witchcraft. They also discover the camera as a magic box through which they can repeatedly transcend their bodies to create liberating self-portraits, coupled with melodramatic disgust and comical lust, reminiscent of Norma Desmond’s memorable line: ‘Mr DeMille, I’m ready for my close-up!’ (Sunset Boulevard, 1950).


By and with: Sebastian Bark, Johanna Freiburg, Fanni Halmburger, Lisa Lucassen, Mieke Matzke, Ilia Papatheodorou, Berit Stumpf / Music: Santiago Blaum / Costumes assistance: Lili Hillerich and Mads Dinesen / Precision mechanics camera control: ThiloGödel /Embedded Software Ingenieur / Camera Control: Grzegorz Zajac / Internship: Carolin Bodensteiner and Rodrigo Zorzanelli Cavalcanti / Special thanks to: Veronica Dyas (Dublin), Eva von Redecker (Berlin), Takako Shibata (Tokyo) / Video: Benjamin Krieg / Bühne: Sandra Fox / Kostüme: Lea Søvsø / Künstlerische und dramaturgische Mitarbeit: Laia Ribera Cañénguez / Sounddesign: Manuel Horstmann / Licht: Michael Lentner / Technische Leitung: Sven Nichterlein / Assistenz Video: Daniela Garcia del Pomar / Produktionsleitung: Valeria Germain / PR, Kommunikation: ehrliche arbeit – freies Kulturbüro / Freie Mitarbeit Kommunikation: Tina Ebert / Finanzadministration: Aminata Oelßner / Company-Management: Elke Weber


  • Past
    Sat 19.9.2020, 20:00 / HAU2
    Sun 20.9.2020, 20:00 / HAU2
    Tue 22.9.2020, 20:00 / HAU2
    Wed 23.9.2020, 20:00 / HAU2
    Thu 24.9.2020, 20:00 / HAU2


Production: She She Pop. Co-production: HAU Hebbel am Ufer Berlin, Kampnagel Hamburg, Künstlerhaus Mousonturm, FFT Düsseldorf, Residenz Schauspiel Leipzig, HELLERAU – Europäisches Zentrum der Künste, Kaserne Basel, Dublin Theatre Festival and Festival delle Colline Torinesi/TPE – Teatro Piemonte Europa. Funded by: German Federal Cultural Foundation and by the City of Berlin – Department for Culture and Europe.


Hallesches Ufer 32, 10963 Berlin

There are two marked parking spots in front of the building. (in Großbeerenstraße). Wheelchair ramp and lift available. Barrier-free restroom facilities are available. Advance notification advised via

HAU3000 / Positions, Projects, Publications

The Glowing Room

Text by Hendrik Otremba.

An Introduction to “Collectivize Facebook”

By Jonas Staal

“Collectivize Facebook” is a lawsuit aimed to turn Facebook into public property, initiated by artist Jonas Staal and lawyer Jan Fermon. Read here Staal’s introduction to the project.

“Manifestos for Queer Futures”

Video Documentation

As part of the festival “The Present Is Not Enough – Performing Queer Histories and Futures”, HAU initiated an open call for artists based in Berlin, who were invited to submit proposals for their Manifestos for Queer Futures.