Gabriele Brandstetter, Marcus Steinweg und Joseph Vogl

KHAOS – A Debate about (Dis-)Orientation

  • Dialogue
German / 

For health reasons Jean-Luc Nancy unfortunately will not be able to attend the debate.

As an additional event to Laurent Chétouane's dance piece "KHAOS" on November 13 a debate will take place before the event:

For a brief historical moment hopes were placed on chaos. The 1980s saw the creation of the “Chaos Days” and of “Chaos Computer Clubs”. Punks and hackers believed in the power of disorder to lead to peace, while police, interior ministries, and mass media sought to curb the chaotics.

What was not visible at first glance: in the process of institutionalization, not only the Hacker Club, but also the Chaos Days had already taken on established forms of German club structure. And in reverse: bourgeois society itself has adhered to something deeply chaotic ever since. The “uninterrupted disturbance” of all social conditions, the “constant revolutionising” of the relations of production are formative qualities of the bourgeois epoch, or at least they are according to the diagnosis in the “Communist Manifesto”: “eternal insecurity and agitation”.

Today it is a question of taking chaos as a given dimension – accepting it as threatening and wresting something productive out of it, as much as is possible. Following the ideas that Gilles Deleuze and Félix Guattari propose in their last collaborative book, the three disciplines of philosophy, science, and art are in a position to draw “levels” through the chaos. Without the romanticizing idea of the liberated punk and repressive order, without the unrealistic denial of the sustainability of capitalist economics, philosophy, science, and art withdraw into adversarial chaos – in order to wrest terms, formulas or compositions from it. “Chaosmos” is the word that Deleuze and Guattari invented for the results of this struggle, a word in which the traditional opposition between chaos/cosmos is intermingled.

But how can the work of philosophy, science and art be conceived as “chaoid”. How can this be achieved concretely? Gabriele Brandstetter, Marcus Steinweg and Joseph Vogl set out to look for levels in the chaos.

Dates

Past
Sun 13.11.2016, 16:30 / HAU2

Credits

Presented within the framework of House on Fire with support of the Cultural Programme of the European Union.

Location

HAU2
Hallesches Ufer 34, 10963 Berlin

There are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to tickets@hebbel-am-ufer.de.

HAU3000 / Positions, Projects, Publications

The Glowing Room

Text by Hendrik Otremba.

An Introduction to “Collectivize Facebook”

By Jonas Staal

“Collectivize Facebook” is a lawsuit aimed to turn Facebook into public property, initiated by artist Jonas Staal and lawyer Jan Fermon. Read here Staal’s introduction to the project.

“Manifestos for Queer Futures”

Video Documentation

As part of the festival “The Present Is Not Enough – Performing Queer Histories and Futures”, HAU initiated an open call for artists based in Berlin, who were invited to submit proposals for their Manifestos for Queer Futures.