machina eX

Right of Passage

Limited capacity, reservation required

  • Performance
German /  Time slots start at 19:00, 19:30, 19:50, 20:10, 20:30

In their latest production, the theatrical game designers of machina eX guide the audience into a former refugee camp. The camp at the border to the Loeric Republic is an autonomous sociotope, and its inhabitants fight over papers and work. This gives rise to collaborations, mutual aid and negotiation, but also power imbalances and exploitation. The pressure on the inhabitants increases. The border becomes more and more impermeable and there is always the threat that it will close. 

Production: machina eX and FFT Düs­sel­dorf. Co-pro­duc­tion: Roxy Birsfelden, Theaterhaus Gessnerallee, studiobühneköln and Theater im Pumpenhaus Münster. „Right of Passage“ and the tour are funded by Fonds Doppelpass of the German Federal Culture Foundation.

Cast

Script & performance: Anna Fries, Laura Naumann / Production & artistic direction: Laura Schäffer / Technical direction: Jan Philip Steimel / Interaction design: Robin Krause, Lasse Marburg / Sound design: Mathias Prinz / Performance : Florian Stamm / Dominik Weber, Antonia Tittel, Jan Jaroszek / Set design: Franziska Riedmiller, För Künkel / Costumes: Daniela Bayer

Dates

Past
  • Mon 15.6.2015, 19:00 / HAU3
  • Tue 16.6.2015, 19:00 / HAU3
  • Thu 18.6.2015, 19:00 / HAU3
  • Fri 19.6.2015, 19:00 / HAU3
  • Sat 20.6.2015, 19:00 / HAU3
  • Mon 22.6.2015, 19:00 / HAU3
  • Tue 23.6.2015, 19:00 / HAU3
  • Thu 25.6.2015, 19:00 / HAU3
  • Fri 26.6.2015, 19:00 / HAU3

Location

HAU3
Tempelhofer Ufer 10, 10963 Berlin

HAU3 unfortunately is not barrier-free. Access to the theatre is via a stairwell (3rd floor). The use of a lift is possible with prior arrangement. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or email us at tickets@hebbel-am-ufer.de. Wheelchair users are also kindly requested to register their attendance at least one day before the performance.
Thank you for your understanding.

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