Choreography & Concept:: Nacera Belaza, Dalia Belaza / Light:: Éric Soyer / Sound and Light Concept:: Christophe Renaud, Frédéric Boileau, Dalila Belaza, Nacera Belaza / Dance:: Dalila Belaza, Nacera Belaza, Mohamed Ali Djermane, Lotfi Mohand Arab
In a piece consisting of two solos and a duet, the choreographer moves along the borderline between traditional and religious Algerian dance, developing from this material a style that is at once minimalist and hypnotic. The result is an infinite number of images, without one merging into the other. Nacera Belaza takes the spectator along on a search “for a space in which time no longer plays any role, and we can touch infinity and, in the end, share something.”
In the context of the festival
"Moussokouma: Zeitgenössischer Tanz aus Algerien, Côte d’Ivoire, Mali, Marokko, Senegal, Südafrika"
Co-production: Festival d'Avignon, Le Parc de la Villette (Artist-in-Residence), Bonlieu Scène nationale d'Annecy, Mécènes du Sud, Moussem (.eu), Fabbrica Europa (Florenz).
Residencies: Le Prisme, Scènenationale de Cavaillon, La Faïencerie (Creil), Le Forum Scène conventionnée de Blanc-Mesnil, Teatro Era (Pontedera).
With support by DRAC Ile-de-France / Ministère de la culture et de la communication, Région Ile-de-France, Ambassadede France en Algérie, Union européenne, Institut français, Fondation Nuovi Mecenati, Institut français Germany - Bureau du Théâtre et de la Danse / Ministère de la Culture et de la Communication/DGCA.
Choreography & Concept:: Nacera Belaza, Dalia Belaza / Light:: Éric Soyer / Sound and Light Concept:: Christophe Renaud, Frédéric Boileau, Dalila Belaza, Nacera Belaza / Dance:: Dalila Belaza, Nacera Belaza, Mohamed Ali Djermane, Lotfi Mohand Arab
There are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2.