Tino Sehgal (DE | GB)

(ohne Titel) (2000) getanzt von Andrew Hardwidge

Tanz im August

Marking the 25th anniversary of Tanz im August, we are presenting one of Tino Sehgal's early works, (untitled) (2000). An artist and choreographer, Sehgal became famous on the international stage for his artistically designed 'constructed situations,' which combine movement with conversations and vocalizations. In addition to solo exhibitions at the Tate Modern and the Guggenheim Museum in New York, his works have been displayed in a variety of locations, including the documenta XIII, and the Venice Biennale in 2013, at which he won a coveted Leone d'Oro. 13 years ago, Sehgal himself performed (untitled) (2000). The piece could be considered a 'Dance Museum' made flesh, physically present on the stage. It marks the transition to Sehgal's choreographed situations as presented in museums around the world. At Tanz im August, three different artists will dance (untitled) (2000) in three different locations: HAU 1, 2, and 3. Dancing: Boris Charmatz, Frank Willens, and Andrew Hardwidge.

Production Musée de la danse / Centre chorégraphique national de Rennes et de Bretagne
Supported by Ministère de la Culture et de la Communication (Direction Régionale des Affaires Culturelles / Bretagne), the City of Rennes, Conseil régional de Bretagne, Conseil général d‘Ille-et-Vilaine 
Co-production Tanz im August, Kaaitheater (Brüssel), Les Spectacles Vivants du Centre Pompidou (Paris), La Bâtie-Festival de Genève, Bonlieu Scène nationale Annecy in the context of the project PACT bénéficiaire du FEDER with the programme INTERREG IV A France-Suisse



  • Past
    Tue 27.8.2013, 19:00 / HAU3
    Wed 28.8.2013, 19:00 / HAU3


Tempelhofer Ufer 10, 10963 Berlin

HAU3 unfortunately is not barrier-free. Access to the theatre is via a stairwell (3rd floor). The use of a lift is possible with prior arrangement. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or email us at Wheelchair users are also kindly requested to register their attendance at least one day before the performance.
Thank you for your understanding.

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