Simone Aughterlony & Michael Günzburger

UPROAR

  • Performance
  • Dance
75 mins.
A topless person with blue hair and chainmail coming out of their mouth
A person with a snake-like creature coming out of their mouth

 

“UPROAR” is an immersive performance which summons the highly relevant figure of the Chimera as an expressive embodiment, expanding the horizon of what it means to be plural. With numerous responsibilities, fantasies and realities all at once, antiquities Chimeric figure – part lion, part goat, part snake – celebrates the value and tethering of three or more. 

Towards a body politic that embraces the un-rendering of determined entities, Aughterlony’s choreographic language inscribes contradictory and temporary fusions of contemporary chimeric figures. Visual art collaborator, Günzburger practices choreography as a spontaneous event designed by a set of conditions invited to the printing surface. Together with their collaborators they take pleasure in the erotics and recognition of distinct parts alongside the irrefutable combination of complex organisms. Though temporary, the extra-ordinary emergence of these singularities reveals transitory solutions in flux, acknowledging their interdependence as a flourishing act.

Sound propagation materials shaped into impressive architectural structures form an enclosure for the study and imagination of a creature to come. Attention to sound by Berlin duo LABOUR, strategizes an hallucinatory experience. Taken apart, the movement of these ‘wall figures’ transition from an enclosure to an expanded and flexible space. In this sense, a process of dismantling what was previously an enclosure gives permission for any number of spatial chimeric proposals or mirage-like sightings to take shape. The question of positionality and perspective is renegotiated as the performers navigate feelings of bewilderment and awe. “UPROAR” is the turmoil. The impossible is not opposed to the real, the impossible composes with the real and promises a trans*futurism of the wildly imaginative.

Cast

Concept & direction: Simone Aughterlony, Michael Günzburger / Creation & performance: Bast Hippocrate, Pierre Piton, Adél Juhász / Performance (Berlin): Thomas Vantuycom, Pierre Piton, Adél Juhász / Musical composition: LABOUR – Farahnaz Hatam, Colin Hacklander / Architectural design: Nele Dechmann / Lighting design: Joseph Wegmann / Dramaturgical advice: Jorge Leòn, Saša Božic / Stage direction: Jan Olieslagers / Technical direction: Marie Prédour / Costume design: Marquet K. Lee / Production, administration: Umar Hallawi / Stage construction: SLS Illusion – Silas Meier / Photography: Simon Courchel / Egg development: Simon Callens / Translation: Brigitte Helbling / Production coordination: Marc Streit

Dates

Past
  • German premiere
    Wed 7.2.2024, 19:30 / HAU2
  • Thu 8.2.2024, 19:30 / HAU2

Further Information

Visitor note

The performance includes the depiction of sexual acts. There are passages with loud music, hearing protection is available free of charge. Fog is used. The audience is on stage with the performers and is an active part of the performance. Space can become tight for the audience.

Credits

Production: Imbricated Real. Co-production: HAU Hebbel am Ufer, Arsenic – Contemporary Performing Arts Center (Lausanne), Zürcher Theater Spektakel (Zürich). Supported by: Stadt Zürich Kultur, Kanton Zürich Fachstelle Kultur, Swiss Arts Council – Prohelvetia, Gessnerallee, Ernst Göhner Stiftung, Landis and Gyr Stiftung, Migros Kulturprozent Zurich, Muzeum Susch, La Becque.

Location

HAU2
Hallesches Ufer 34, 10963 Berlin

There are two marked parking spots in front of the building. Barrier-free restroom facilities are available. Four relaxed seats are available in the first row of HAU2. Tickets for wheelchair users and accompanying persons can also be booked via the ticketing system. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to tickets@hebbel-am-ufer.de.

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