Duration: 50 min
Bruno Beltrão is well known for his dance deconstructions of hip-hop: his powerful choreographies combine street dance, breakdance and hip-hop with contemporary dance. In INOAH he refers to the political situation in his home country of Brazil: against the background of the corruption scandal, Beltrão asks how we are connected to our environment and how we are influenced by events and ideologies. Ten dances from his company, Grupo de Rua, look at these interdependencies in pulsating encounters between aggression and excess, confrontation and community.
Co-Production: Kampnagel (Hamburg), Festival De Marseille (Marseille), Wiener Festwochen (Vienna), Mousonturm (Frankfurt), Tanzhaus nrw (Dusseldorf)
Supported by: BEIRA