Programme

Miet Warlop / NTGent

One Song. Histoire(s) du Théâtre IV

PerformanceTheatre

English / approx. 60 mins.

Having received an invitation from NTGent, Miet Warlop is the fourth artist who has developed a work for “Histoire(s) du Théâtre”, following in the footsteps of Milo Rau, Faustin Linyekula and Angélica Liddell. What is the history of theatre makers? With “One Song”, Warlop formulates an answer as only she can. Twelve performers take the stage for a mesmerising ritual about farewell, life and death, hope and resurrection.

Somewhere in between a concert and a contest, the temporary becomes the universal and the personal becomes something collective. That is the subtext of “One Song”: how one song can give meaning to a whole society. Unity in diversity.

The twelve performers go to extremes together: through song text, images and objects, oxygen and sweat, they evoke our human condition. Again and again, someone stands up to push their boundaries. They defy time and express a deep human need: the search for the moment in which we can transcend our thinking body.

The past is the present is the future. And as human beings, we are, willingly and unwillingly,  gladiators fighting against time time. The need for community makes us vulnerable and tragic creatures at the same time. We are vulnerable in our physical limitations, despite the efforts we make to strengthen our bodies. And we are tragic in our existential loneliness, the result of an awareness that is peculiar to mankind.

After Miet Warlop explored the complexities of communities with “After All Springville: Disasters and Amusement Parks” in HAU2 in March of 2022, she now continues her examination of this topic with “One Song”.

Cast

With: Simon Beeckaert, Elisabeth Klinck, Willem Lenaerts, Milan Schudel, Melvin Slabbinck, Joppe Tanghe, Karin Tanghe, Wietse Tanghe, Imran Alam, Stanislas Bruynseels, Judith Engelen, Flora Van Canneyt / Conception and direction: Miet Warlop / Text: Miet Warlop advised by Jeroen Olyslaegers / Dramaturgy: Giacomo Bisordi / Music: Maarten Van Cauwenberghe / Costume design: Carol Piron – Filles à Papa / Lighting design: Dennis Diels / Sound technician: Bart Van Hoydonck, Raf Willems / Lighting technician: Laurent Ysebaert

By viewing the video you agree that your data will be transmitted to and that you have read the privacy policy .

Accept

Dates

  • Past
    German premiere
    Thu 27.10.2022, 19:00 / HAU2
    Fri 28.10.2022, 19:00 / HAU2
    Sat 29.10.2022, 19:00 / HAU2

Credits

Production: NTGent, Miet Warlop/Irene Wool vzw. Co-production: HAU Hebbel am Ufer, Théâtre Dijon Bourgogne (FR), Tandem SN Douai (FR), Festival d’Avignon (FR), La Comédie de Valence (FR), Teatre Lliure Barcelona (ES), deSingel Antwerp (BE). Supported by: Flemish Government, City of Ghent, Tax Shelter of the Belgian Federal Government. With the help of: Frans Brood productions. Thanks to: Representation of Flanders in Germany.

Location

HAU2
Hallesches Ufer 34, 10963 Berlin

Wheelchair users are kindly requested to register their attendance at least one day before the performance. Thank you for your understanding. If you need help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email to tickets@hebbel-am-ufer.de.

HAU3000 / Positions, Projects, Publications

The Glowing Room

Text by Hendrik Otremba.

An Introduction to “Collectivize Facebook”

By Jonas Staal

“Collectivize Facebook” is a lawsuit aimed to turn Facebook into public property, initiated by artist Jonas Staal and lawyer Jan Fermon. Read here Staal’s introduction to the project.

“Manifestos for Queer Futures”

Video Documentation

As part of the festival “The Present Is Not Enough – Performing Queer Histories and Futures”, HAU initiated an open call for artists based in Berlin, who were invited to submit proposals for their Manifestos for Queer Futures.