Douglas Gordon / Philip Venables / Ruth Rosenfeld / Ensemble Adapter

Bound to Hurt

Music
Performance

English / 55min

Turner Prize-winning artist Douglas Gordon stages a dark musical journey into a world of an emotional state of emergency. Using a compilation of popular cover songs as a basis, one of the world’s most influential video and installation artists has developed a stage work about domestic violence in collaboration with British composer Philip Venables. In “Bound to Hurt” songs by artists as diverse as Donna Summer, Jacques Brel, Madonna, and Throbbing Gristle are re-imagined as surreal fantasies of violence. The performance is written for the extremely versatile singer and performer Ruth Rosenfeld, best known for her collaborations with theatre directors Frank Castorf and Herbert Fritsch. She is accompanied by members of the German-Icelandic Ensemble Adapter, one of the most experimental genre-crossers in New Music.

Cast

Music: Philip Venables / Direction and design: Douglas Gordon / Dramaturgy: Laura Berman / Collaboration direction: Jasmina Hadziahmetovic / With: Ruth Rosenfeld, Saraa Sigrist / Performance: Ensemble Adapter / (Gunnhildur Einarsdóttir, Harfe/harp /Matthias Engler, Schlagzeug/drums / Kristjana Helgadóttir, Flöte/flute / Iñigo Giner Miranda, Klavier / Keyboard/piano, keyboard / Ingólfur Vilhjálmsson, Klarinette/clarinet / Johannes Pennetzdorfer, Viola/viola) / Lighting design: Brian H Scott / Costume: Christel Rehm / Maske: Christian Fritzenwanker / Light: Sebastian Zamponi / Sound: Matthias Kirschke / Production Douglas Gordon: Zeynep Yücel / Production management HAU Hebbel am Ufer: Elisabeth Knauf / Assistance production: Christina Ostrowski

Dates

Past

Wed 7.10.2015, 20:00 / HAU1
Thu 8.10.2015, 20:30 / HAU1
Fri 9.10.2015, 20:30 / HAU1
Sat 10.10.2015, 20:30 / HAU1

Credits

Production: Oui. Coproduction: HAU Hebbel am Ufer, Internationales Sommerfestival Kampnagel (Hamburg) and Theater Basel. Supported by the Capital Cultural Fund Berlin.

Location

HAU1

Stresemannstr. 29, 10963 Berlin

There are two marked parking spots in front of the building. Access to the Parkett by means of a separate entrance with lift when necessary. Barrier-free restroom facilities are available. Tickets for wheelchair users and accompanying persons can be booked via the ticketing system. If you need any help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email totickets@hebbel-am-ufer.de.

See all locations

HAU3000 / Positions, Projects, Publications

The Jina Revolution

Azadeh Sharifi talks with Azadeh Ganjeh and members of the Woman* Life Freedom Collective Ozi Ozar and Anahita Safarnejad

Photograph of two clasped hands on top of each other. The middle joints of the fingers are tattooed. In Hebrew the word names and the series of numbers 5783

Three questions for Ariel Efraim Ashbel

On his new work “The Names / שמות”

Transforming gestures into dance

An interview with Nedjma Hadj Benchelabi and Shaymaa Shoukry

Towards a Non-Binary Theatre

By Caspar Weimann, translated by Josephinex Ashley Hansis

Spy on Me #4 – Online Magazine

With James Bridle, Christiane Kühl, Tactical Tech, dgtl fmnsm, onlinetheater.live, Nina Tecklenburg, Nadia Ross, Marion Siéfert a.o.

Enjoy Killjoy

An excerpt from “Symphony of Progress”, the new work of author and director Nicoleta Esinencu ...

The Fifth Wall

A text by Hito Steyerl.

The HAU Publishing Series

The complete overview of all publications by HAU since 2014 is now online …

“We didn't document things – we simply did them”

A conversation about experiments, freedom and solidarity – as well as the vital underground. With Elke Lixfeld, Alfred 23 Harth, Alexander Hacke and Andrea Neumann.

Namesless Experiments

Text by Patrick Hohlweck.

The Glowing Room

Text by Hendrik Otremba.

How does a joint plan succeed?

From the publication “Berlin bleibt! #3 – Werkstatt Mehringplatz”

Editorial by Stella Konstantinou, Volkan Türeli (HAU to connect) and Nadine Vollmer (freelance dramaturge).

“What's actually going on here?”

From the publication “Berlin bleibt! #3 – Werkstatt Mehringplatz”

On 5 May 2021, HAU invited some of the players to a round table to talk about the situation at Mehringplatz ...

What is the status of the immigrant community within local city politics?

From the publication “Berlin bleibt! #3 – Werkstatt Mehringplatz”

A text by Hülya K. Kilic, shop owner and activist.

Wer kann übersetzen? Eine politische Frage

Text by Paul B. Preciado

(German Text)

Spy on Me #3 – New Communities

Festival Magazine

With contributions by Jan Distelmeyer, Anna Fries, Ulla Heinrich (dgtl fmnsm), Christiane Kühl (doublelucky productions), Legacy Russell, Roman Senkl (minus.eins), Caspar Weimann (onlinetheater.live) and Lena Ziyal

In Search of Radical Mutations

An Essay of Author and Science Historian Edna Bonhomme on "Radical Mutations: On the Ruins of Rising Suns"

Fabifa's Tape Art for HAU

The making of the tape art picture by artist Fabifa as part of “Я выхожу! (I'm going out!)” – Berlin Meets Minsk

Die Revolutionshypothese

Text by Paul B. Preciado

(German text)

Alles muss sich ändern

by Paul B. Preciado

(German text)

Unacknowledged Loss II

A Project on Mourning and Loss by Barbara Raes & HAU Hebbel am Ufer

During the “Unacknowledged Loss II”, several materials like photos, texts and films were generated that we share now with the public as part of the programme of #HAUonline.

Burning Futures #5

Beyond The End Of The World?

In the new podcast edition of the series "Burning Futures", guests T.J. Demos as well as Anjalika Sagar and Kodwo Eshun (Otolith Group) discuss ...

The End As Interlude

Episode 3: Interlude / By Jota Mombaça

In the third episode, we accompany The Community member Khalil, who is moving further and further away from the usual earthly existence in space and time.

The End As Interlude

Episode 2: Energy Bending / By Jota Mombaça

In the second episode, protagonist Elsi tells of her journey through a dystopian Europe, queer solidarity, and a reunion that turns out differently as planned.

The End As Interlude

Episode 1: The Silent Earthquake

Based on world events in times of the Corona pandemic, Jota Mombaça conceives a diffuse future, one in which borders, escape and freedom of thought play a central role.

Falling Into Place

A note on “End Meeting for All”

By Tim Etchells

Between Hope and Hopelessness

An interview with Ligia Lewis

Between March 15 and 18, HAU originally planned to show “A Melancholic Melody / A Will To An End – A Series of Works by Ligia Lewis” ...

An Introduction to “Collectivize Facebook”

By Jonas Staal

“Collectivize Facebook” is a lawsuit aimed to turn Facebook into public property, initiated by artist Jonas Staal and lawyer Jan Fermon. Read here Staal’s introduction to the project.

When Cthulhu calls

A text by Thomas Ryckewaert

In his essay, Thomas Ryckewaert draws a connection between H.P. Lovecraft‘s creatures and the cool horror of the intelligent machine.

New Technologies, Old Discrimination

In their essay Frederike Kaltheuner and Nele Obermüller show the darker side of the utopia of cyber freedom ...

What is our relationship with alien consciousnesses?

As we build rivals to human intelligence, James Bridle looks at our relationship with the planet’s other alien consciousnesses.

“Manifestos for Queer Futures”

Video Documentation

As part of the festival “The Present Is Not Enough – Performing Queer Histories and Futures”, HAU initiated an open call for artists based in Berlin, who were invited to submit proposals for their Manifestos for Queer Futures.

KEEP IT REAL

The writer Luise Meier was commissioned by HAU Hebbel am Ufer to go along with their current film and poster campaign “KEEP IT REAL” ...

More HAU3000